Everything posted by ohtani's jacket
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Ted Dibiase runs the gauntlet
All right, let's get started. Depending on how long this holds my attention I'll get to some of the other matches Jerry mentioned. vs. Hulk Hogan Ted Dibiase vs. Hulk Hogan, Boston Garden 9/10/88 Ted drew good heat from the Boston crowd with people throwing paper into the ring ala the NWO Nitro days. Hogan came to the ring wearing his "war bonnet," which made him look like a penis (literally), and his Hulkster license plate. I've heard stories that he also carried around a gas tank at the time, but I've never seen any visual confirmation. I do remember that Apter magazine cover with the "Ban the Helmet or Ban Hogan" headline. Classic. On to the match -- the beginning of the bout was the most exciting part with Hogan dishing it out to Dibiase and Ted bumping in a Ric Flair fashion. It always seemed to me that Ted went to the Ric Flair school of theatrical bumping at least in this WWF run. They kept this up for a few minutes while Superstar Billy Graham gave Hogan the usual fellatio on commentary. Ted then took over with a really poor control segment where he blew off the effects of all that bumping and went into a resthold armbar sequence. The commentators put over how he did so well to weather the storm, but I thought it gave the match a soft belly considering it was supposed to be the mid-point. After taking a breather, Hogan went back onto offence. His second run was cut short by Virgil interfering, which in a better match would have been Dibiase's first transition onto offence and allowed Ted to sell more. After that, the match was mostly Ted beating Hogan up before Hogan went through his Hulk up routine, put on the war bonnet and quickly wrapped things up. I thought the match was notable in not having a long enough heel control segment. Three stars would be awfully generous with this, but I ought to point out that by this stage Hogan was firmly entrenched in doing sweet eff all. I like his brawling sprints from '85-87, but apart from the hot start this didn't compare. I don't think that's a reflection on Ted, who was decent in this match aside from the weak resthold sequence and just got fed to the lions like every other Hogan opponent. Still, no pass on the OJ scale.
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Ted Dibiase runs the gauntlet
Pretty simple concept: I'm going to watch one match from every notable feud Dibiase had in the WWF to see how good Ted could be on any given night. It should be noted that I'm more favourable towards positive three star matches as opposed to disappointing three star matches, i.e. matches I felt earned three stars rather than only being three stars. Here are a list of the feuds. Please chime in if I've overlooked anything. vs. Hulk Hogan vs. Randy Savage vs. Hercules vs. Jake Roberts vs. Bret Hart vs. Big Bossman vs. Dusty Rhodes vs. Virgil vs. Legion of Doom vs. The Natural Disasters vs. The Nasty Boys vs. The Steiners vs. 1-2-3 Kid vs. Razor Ramon
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Where the Big Boys Play #31
I'm so used to people thinking Luger's '89 heel run was good that I kind of assumed it was accepted wisdom by now. Luger was definitely a guy you were taught sucked when I first discovered message boards a hundred years ago. I don't know that it was revision with Luger, more like a flat out mistake. I'm kind of on the fence about whether Luger was ready at say Starrcade. It may have been good but it would have denied us Flair's '89, which was a tremendously great year.
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Bret Hart vs. Ric Flair
I haven't seen the Starrcade match since the Smarkschoice WCW poll, but I'll try giving it a watch at some point.
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Ted DiBiase: brawler or technician
I'm sure they are. The only one I've watched recently is the '89 Bret/Dibiase match and that was pretty solid. But you mentioned Arn, who's a guy who had a metric shitload of three star matches. It actually occurred to me this morning that Ted's best WWF performance may have been the 45 minutes he spent in the ring during the 1990 Royal Rumble.
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WCW ongoing thread
I've never seen a Regal/Sting match I didn't like. It always impresses me when Sting busts shit out on the mat in those matches. (That doesn't sound good, does it?)
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[1992-04-30-NJPW-Explosion Tour: Top of the Super Juniors] Jushin Liger vs El Samurai
This has been one of the more interesting yearbook discussions thus far. I watched this match for the first time in years with scant recollection of it and basically wound up enjoying it because of Liger's offence. I don't like El Samurai's mask or his gimmick, and I don't think much of him as a performer so I wasn't buying the whole hatred thing. To me it looked strategic rather than hated filled. I didn't mind the way Liger took over the match, in fact I thought it was pretty cool. He was much better at acting pissed than Samurai was and his run of offence was spectacular. It didn't strike me as casual at all. I also didn't have a problem with Samurai's transition back onto offence and I thought that short spurt was his best part. I hated the submissions, though. What a momentum killer they were. Then they went to the turnbuckle and made a hash of that spot. The match never really built to anything after that and there's far more drama in other Liger matches with better opponents. I tend to agree that it had a squash feel to it, but Liger's offence was aces. I liked the pinfall, but to win the yusho like that was kind of telling.
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WCW ongoing thread
The reason I chose to watch it was because I was kind of surprised by the Sting/Meng matches that come out of this tournament. They're actually pretty decent. There was also another strong Regal/Sting match that year.
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Ted DiBiase: brawler or technician
That's not a bunch of three star matches. That's the best Ted Dibiase WWF matches you can think of. I really mean more than just the usual suspects.
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WCW ongoing thread
I watched that Sting/Orndorff match just for the heck of it. God, listening to Tony and Heenan is torturous. A lot of Bobby's jokes are bad, but the dead air after Heenan feeds Tony a set-up for a one liner, the amount of times Tony cuts Bobby off and the times where he laughs but at Heenan and not the joke are ridiculous. The match itself is the most meaningless bout ever. Even if Sting had taken that bump into the barricade it wouldn't have improved the match one iota. I thought both guys were phoning it, probably because of the stupid set and the monotonous taping commitment. Orndorff often had his working shoes in in WCW but I don't think he bust a gut here. Half the match was stalling.
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Bret Hart vs. Ric Flair
Watched the Flair/Morton houseshow match. Looked like a typical Ric Flair match, but the final third was so badly clipped that it's impossible to say anything about it for certain. There definitely looked like a wider arc from the beginning to the end then you commonly get in a Bret Hart match, however. Next up was the Bret/Valentine match from '89. A few notes: * I could see how people would like Bret's punches and elbow strikes better than Flair's strikes. * Despite Bret's matches feeling slower overall, he's faster and arguably more intense on offence than Flair. * Lord Alfred Hayes made me chuckle when they went to a close-up of Bret working on top and Hayes said he looked unperturbed. He looked more worried about his hair than selling. * The match layout was really simple with Bret controlling the early going, making a simple mistake and allowing Valentine to take over. The psychology was unremarkable. * Bret (at least in '89) was much better at working from underneath than working on top. The best part of the match was the selling he did when he first tried to make a comeback. He literally sold that he wasn't able to get in spring in his legs for a kip-up of sorts. Really clever. * The finish was stupid as Perfect came down to distract Hart and instead of costing him the match it ended in a time limit draw. What was the point of Hennig coming to ringside? Possibly the lamest interference I've ever seen. Not Bret's fault, however. * Match was decent but the finish spoiled it. There was no real story or narrative, but I do like the way they slowly sold people on Bret moving from a tag team competitor to a singles competitor. I thought that was really well done and I imagine a lot of people feel they "grew up" with Hart as he moved up the WWF ladder. Lastly, I watched Flair vs. Luger from the Great American Bash '88, which is the weakest of the big card Flair/Luger matches but a decent night's entertainment nonetheless. Again some notes: * First, I fucking love the Package. Just wanted to get that out of my system. * There's been talk about Flair looking weak as champion in this thread, but I wonder what a heel champ is supposed to do in this sort of match. Would it have made sense for Flair to dominate Luger for long stretches? The story of the match was that Luger was supposed to be Flair's most difficult challenge yet and that the end of the 80s and beginning of the 90s was going to mark the end of Flair's reign and the beginning of a new era in Luger. Flair was meant to put that storyline over, and did as far as I could tell. * Another point about Flair looking weak is that his NWA title matches always followed the adage that the challenger had to beat the champion not the other way round. Flair always made note of this in interviews as did the commentators. Therefore it was part of the psych. * Regardless of all this, there were always moments in a match or on commentary where you were reminded that Flair could in fact wrestle and that there was a good reason why he was the NWA heavyweight champion. * Luger was pretty green here compared to his '89 and '90 work, but Flair made him look good. I wonder if Bret ever made an opponent look as good as Luger looked here. It's possible. Maybe Diesel or someone like that. * This was a truncated version of the Flair match for the TV time limit, but it all made sense. I still don't get the criticism that Flair did things for the hell of it. * Once again the match had a much larger arc than the Bret match. It's not far to compare them I suppose since one was a major bout and the other was a meaningless TV match, but I don't think it's much of a surprise that a Flair match feels bigger and more important than a Bret match. * Personally, I thought Flair's turnbuckle flip to the outside was awesome in this match. The Flair flop didn't work for me, but the turnbuckle spot was great as was the Package's flexing. * The finish sucked royally. If they'd worked the cut into something worse than that, I could have understood but that cut was pathetic and the timing of the cut, the Maryland offical stepping in, the torture rack and Young calling for the bell didn't milk the drama the way it could have.
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What is the importance of mic work when assessing someone?
A vignette informs character which informs ringwork. They're interconnected. There have been plenty of people who only watch wrestling for the angles and storylines and there are plenty of people who will watch the greatest of matches and ask what the backstory was, why the wrestlers were fighting, what angles occurred before the match. Personally, I think Ted's best performances in the WWF were his matches against the likes of Dustin Rhodes and Virgil where his character stuff truly came to the fore, and if I was making a "Best of the Million Dollar Man" comp I'd absolutely include the basketball vignette as being along the same lines as the best of Ted. I don't think people divorce that stuff from the matches nearly as much as they're claiming. It's all part and parcel of wrestling. People want a good angle, great promos and an all-time great match. On the other hand, I think you need to be honest and admit that Ted's matches in the WWF were a disappointment. As great as he was at playing the Million Dollar Man, he didn't have a single match that people would consider one of the great matches in WWF history let alone a MOTYC. And while there were limits on how good a match could be in the era he worked in, there were other workers who exceeded those limitations such as Savage. So while you could argue that Ted was a great character and that his ring work reflects that, ultimately his matches just don't hit the spot. Honestly, if there were a bunch of three star Ted Dibiase WWF matches I'd think more of his run than I actually do, but a lot of his stuff is turgid. And when you factor in that his work in Japan wasn't that great, you start to think that maybe Dibiase just wasn't that good at having matches, Midsouth work be damned. Ted is a guy who everyone wants to like but have trouble with. In that respect, I think it's cool that you're a huge Dibiase mark.
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Bret Hart vs. Ric Flair
Bret didn't have signature spots he liked to do in every match? He didn't have five moves of doom because sometimes he'd swap the inverted atomic drop with a verical suplex or a running bulldog? C'mon, Bret learnt to wrestle by getting the crap beaten out of him literally and figuratively, which presumably is why he sold so much in matches, and he learnt to work sequences of moves even when doing simple shit like working over a body part. Claiming that Bret didn't have a formula because he may or may not have wrestled differently in a couple of big matches is like arguing that Flair didn't have a formula because the Wahoo match was slightly different than the Flair match we're used to. Bret Hart wasn't some kind of superworker who brought new and original transitions to every match and unparalleled psychology. He was Bret. He wrestled Bret matches. There are plenty of workers who have had great matches months, weeks, even days apart that differed from one another. Whether they were all-time great matches is another story (it's debatable whether the Austin/Hart matches are all-time great matches, anyway), but it's not that difficult considering there's more than one way to work a match. You could wrestle a broadway on one night, a brawl the next night, a sprint the night after that. A luchador could wrestle a hair match, a title match, a workrate trios match, a brawling trios, any number of variations.
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The Beginner's Guide To British Wrestling
I stumbled upon this old Kendo Nagasaki article again -- http://observer.guardian.co.uk/osm/story/0,,562562,00.html I don't think Kendo gets mentioned enough when it comes to Inoki types in wrestling.
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What is the importance of mic work when assessing someone?
When I watch US wrestling I want to see the big matches pay off all of the pre-match promos and angles. I think mic skills are worth considering in that regard. However, if you were to start judging workers on the total package I can't see people suddenly downgrading Kobashi or Toyota or Atlantis because they have poor mic skills. And you can't assume that just because a crowd was hot for Jumbo/Tenryu that either guy was that good at putting over their fight outside the ring.
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80s AJW
I've only ever been to GAEA and Osaka Pro and they had an interesting cross section of fans. Rob would know more about the average Joshi show.
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Terry Funk
Lorefice seemed to rate Dory over Terry at the time:
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80s AJW
The audience for any pro-wrestling event in Japanese these days is pretty disparate. I don't think it fits easily into any sort of demographic.
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80s AJW
They tried to create new idols for the schoolgirls but no-one caught on. There were diehard schoolgirls who stuck around to around '92 or so, but as a fad it ended with the retirement of Dump in '88 and then petered out as Lioness and Chigusa followed her into retirement the following year. They couldn't create any stars to keep their golden television spot, so they moved their attention to the male wrestling fans. The rationale at the time was that you had young men with disposable income who would pay for tickets rather than having to rely on parents and that you didn't need to have a prime television spot because they could afford expensive VHS tapes. Ogawa produced the video tapes at the time and was probably pushing that idea. I think there was also a belief that the men would stick around as opposed to the schoolgirls who got caught up in the fad then turned to something else after a few years, but that proved to be untrue. They cashed in while they had that audience and probably made more money than at any other point in the company's history, but it was as much a fad for the male audience as it had been for the schoolgirls. Retirements, non-retirements, poor booking, repetitive match-ups, a stale in-ring style, terrible show management and poor investments killed attendance and then the company.
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The Beginner's Guide To British Wrestling
This 1/28/80 card was a great show: Jeff Kaye vs. Tony "Banger" Walsh (1/28/80) Jeff Kaye is pretty much familiar as being one of the refs later on. He was in the twilight of his wrestling career here and giving away quite a bit of weight to Walsh in this catchweight contest. Walsh is a heel who've been slow to join the party on, but he was one of the guys the crowds loved to hate. This match was cleverly laid out, with Kaye twice foiling what looked llike sure fire falls to Walsh, making it seem like he had all the momentum for an upset. He was also brilliant at retaliating to all of Walsh's inside moves and illegal follow ups, which I found amusing since he'd have to ref that sort of stuff a few years later. Walsh and referee Peter Szakacs had awesome chemistry in this match, butting heads between rounds, and there was a stray granny at ringside as well. But what really set this apart for me was the awesome finish, as Walsh pinched Nagasaki's finisher and broke Jeff Kaye in two. Kaye sold it as well as I've ever seen someone sell on WoS and the threat of an upset was squashed.
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Intensely Personal
Yeah, I thought about mentioning Misawa/Kawada. Most of that hinges on the fact that Misawa was Baba's favourite. Then of course, when Baba dies, Misawa leads a mass-walkout and starts up a rival promotion, whereas Kawada stayed, professing that it was "Baba's wishes". So yeah, it all seems to be on Kawada's side. Both were so well matched together, that even with no personal issues, they would still have had stunning matches. From what I've heard it was Misawa who disliked Kawada more than Kawada being jealous of Misawa or anything like that.
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When was their prime?
Ohtani's peak was from '96 to '98. Years ago I would have narrowed it down to '96, but I think if there were more complete matches available from '97 and '98 we'd find that the drop off from '96 wasn't that big. The February '98 Liger/Ohtani match looks really great, for example.
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1998 Recommendations
A couple of the matches aired on Asahi. I've only seen the commercial clipped version of Wagner/Ohtani, which is fun but nothing essential. The Samurai TV show wasn't that much longer than an episode of World Pro Wrestling, but it may have fuller versions of the matches. That Sendai tag, for example, only 2:40 aired on WPW. You'd have to think more of it aired on Samurai TV.
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Bret Hart vs. Ric Flair
I watched Flair vs. Wahoo McDaniel from Battle of the Belts '85. Not really a Flair formula match as it was best two-out-of-three falls, but it was a 45 minute match where everything Flair did made sense. Wasn't a great match, but there was nothing that struck me as illogical. Afterwards, I watched the Bret/Yokozuna cage match from MSG. I knew that I wouldn't like it going in, but what a boring match. It's nothing but your turn/my turn escape attempts. I didn't see any evidence of a compelling narrative, the work wasn't especially cohesive and what should be the big spot in any Bret/Yoko match (Bret knocking him out of his feet) was tossed out in the first exchange. Not only that, but he knocked him down with punches. Didn't see any master storytelling here. For comparison's sake, I watched a Flair/Garvin cage match from '85. It was a pretty standard Flair/Garvin match, but again everything made sense. This "chicken with its head cut off" Flair must have started later than '85. None of these matches told a proper story and the narratives weren't especially strong either, but that Bret match is dullsville.
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Bret Hart vs. Ric Flair
You can't have more than one true character, but pro-wrestlers are allowed two: one for when they're a heel and one for when they're a face. The rest is simply characterisation.