I re-watched this again for the second time in a week last night. I think I will either write a review or respond to Frank's excellent review later this week.
This is my MOTD for the 1970's and one of the best matches I have ever seen (maybe the best).
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This review isn't about the WON Awards or a
candidate for the WON HOF, but since the match
involves two WON HOF members I thought it
might find a good home in this forum.
Tying back to Steve Yohe's excellent "Wrestler
of the Year 1900-1979" work, I'd have to say
that the case for Billy Robinson winning WON
Wrestler of the Year award in 1976 is strong.
Robinson's famous draw with Inoki in 12/75
would fall within the 1976 voting period,
as would this match and Robinson's 65-minute
draw with Jumbo.
It's one hell of a trifecta from a workrate
standpoint, though this match, Billy vs Baba
is probably my favorite of the three.
Frank
(Review follows below)
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If Billy Robinson was wrestling today,
one might describe his style as "fusion"
since it incorporated tumbling elements
now associated with juniors along with
matwork now associated with UWFi
and selling associated with All Japan.
The problem with the fusion classification
is that Billy Robinson's prime occurred
more than twenty-five years ago, so he
isn't a fusion of these disparate styles but
rather a wellspring of new ideas or a
missing link to the workers before him.
Robinson may not have invented these
moves, holds, and techniques, but in
numerous cases his matches provide
the oldest example of their application.
Watching Robinson's match with Shohei
Baba from 7/24/76 I was reminded of
many of the now disparate elements
which were fused in Robinson's work,
but more than that I got the feeling
that I was seeing a historic first.
Billy Robinson vs Giant Baba may be
the "first" Triple Crown match, not
in the sense of fighting for the PWF,
International, and UN titles, but in
the sense of providing much of the
blueprint that was used by Misawa
and Kawada in the nineties to make
"Triple Crown" synonymous with the
ultimate in professional wrestling.
One of the hallmarks of Triple Crown
matches was the evolution of sequences
from match to match as new counters
were added to surprise the audience
and take the rivalry to new levels.
Robinson and Baba didn't have the
luxury of playing off their previous
encounters, but they had three falls
to work with and they used sequences
and spots in the early falls to set
up surprise counters in later falls.
Baba dominated the end of the first
fall. Baba whipped Robinson into the
corner, then whipped him into the ropes
and caught him with a trademark high
kick for a hot near fall. Robinson
grabbed a headlock, literally trying
to "hang on", but Baba back suplexed
him to take the first fall.
These moves would be replayed later
in the match.
In the second fall, Baba again tried
to whip Robinson into the corner, but
Robinson responded with a running
elbow to begin to take control for the
first time in that fall.
Then in the third fall Baba tried for
the high kick, but Robinson caught
Baba's foot, slammed it down, and
dropkicked Baba in the chest.
Later, Baba tried another back suplex,
but Robinson kicked off the top rope
causing Baba to fall awkwardly and hit
the back of his head, stunning himself.
Counters like these became staples in
Triple Crown matches in general and in
Misawa vs Kawada matches in particular.
Another hallmark of the Triple Crown
style was organizing the match into
sustained series of offense by each
wrestler separated by transitions.
The genesis of the transitions was
often a single quick counter move,
but momentum usually reversed slowly
over several moves as it took the
former victim time to clear his head
after the previous prolonged assault.
Robinson and Baba worked several of
these deliberate, well planned shifts
of momentum into their storyline.
Perhaps the best of these transitions,
and one of the best transitions I've
ever seen, took place in the middle
of the second fall.
Baba came out strong, controlling the
first three minutes of the fall while
working on Robinson's sore neck with a
series of chops to set up a leg sweep
and a swinging neckbreaker for a pair
of hot near falls.
Baba whipped Robinson toward the corner,
but Robinson sprang up onto the second
rope, leapt off, and decked Baba with a
running forearm to the side of the jaw.
Robinson then collapsed himself, still
hurting from the earlier beating, but
made it to his feet first, steadied
himself, and launched a dropkick that
took Baba down again.
Robinson stayed on his hands and knees
following the dropkick, still trying
to gather himself. Again he made it
to his feet first and again he decked
Baba with a running forearm, but this
time he stayed on his feet and seeing
Baba down he went for a quick cover
but Baba, now thoroughly stunned, was
able to get his foot over the ropes.
Robinson, now fully in control of the
action, then hit one of his signature
spots, a hangman neckbreaker. Baba
shifted slightly, perhaps looking for
the ropes again, but had to kick out
to avoid being pinned.
The entire transition, from Robinson
being in peril to Robinson being in
complete control took a little over
a minute with several "rounds" of
combat featuring wonderful selling
and decisions that made perfect sense.
Slow, well executed transitions like
this were one of the elements that
separated All Japan's top singles
matches from the rest of the world
and separated the Misawa vs Kawada
rivalry from the rest of All Japan.
Another hallmark of the Triple Crown
style was teasing and building the
importance of key moves by using a
sustained series of desperate blocks.
In the first fall, Robinson attempted
to lift Baba several times for a gut
wrench suplex, but Baba hung on to
Robinson's leg to block the move.
In the second fall, Robinson attempted
to lift Baba several times for a double
arm suplex, but Baba blocked it in a
number of ways, grapevining the leg,
dropping to a knee, and hooking the ropes.
The implication was that these moves
posed a real threat to Baba which is
why he was so desperate to block them.
Misawa and Kawada often used the same
psychology in their matches with Misawa
desperately blocking Kawada's powerbomb.
When Baba blocked the gut wrench suplex,
Robinson shifted to attacking Baba's leg.
When Baba blocked the double arm suplex,
Robinson went back to the leg and applied
a single leg crab, forcing Baba to submit
and evening the match at one fall apiece.
Robinson opened the third fall by going
after Baba's injured leg. He tried to
apply the boston crab several times, but
Baba made it to the ropes or kicked him
off. On one of the kicks, Robinson fell
backward and hit the back of his head.
Another hallmark of the Triple Crown
style was great selling, understated
and realistic in some moments while
over-the-top theatrical in others.
In the second fall Robinson had shown
that he could stagger around in peril
like Shawn Michaels in one moment,
then wilt following a heavy blow like
Toshiaki Kawada in the next moment.
In the third fall, after bumping his head,
Robinson avoided a stomp, made it to his
feet, then collapsed and rolled all the
way out to the floor.
Not to be outdone, after bumping his
head when Robinson kicked off the top
rope to upset a back suplex attempt,
Baba rolled three quarters of the way
across the ring, then rolled under the
ropes and off the apron to the floor.
Robinson and Baba varied their selling,
but they were not inconsistent. Their
selling reflected the overall flow of
the match and the most recent attacks
so they were able to mix theatricality
and realism like a Triple Crown match.
There are plenty of other elements that
can be analyzed in this match, from the
incredible build to the finish to all
the quirky moments Robinson brings to
the match, but I'm going to break with
tradition by avoiding a blow by blow
retelling of the stretch run here so
that readers can see it for themselves.
Robinson's bumping is great and Baba's
signature moves never looked better.
At one point Robinson staggers into
the ropes, then in response to Baba's
chop he falls out between the top and
second rope to end up on the apron.
Baba's back suplex is majestic with
Baba letting gravity do all the work.
Baba's finisher, the neckbreaker drop,
has all the ferocity of a car wreck
with Robinson flinging his legs into
the air as his shoulders are driven
into the canvas.
All that said, I'd rate this match at
****1/2. There were a couple of minor
slips early and while their matwork
seemed both organic and original it
ended a bit abruptly as if they had
merely wanted to get it out of the
way before moving on to other things.
The teasing and failure to deliver
later on the gut wrench suplex and
the double arm suplex was a negative,
but the teasing of a double countout
while actually delivering a clean,
satisfying finish balances that out.
I've seen Robinson vs Baba from 7/24/76
nine times now and I haven't tired of
it at all. There are literally dozens
of small touches to enjoy around the
strong central storyline.
It's the quintessential Billy Robinson
match, showing his strengths and the
diversity (to our modern eyes) of his
work while also showing a few moments
of Robinson marching to his own drummer.
If you were a fan of All Japan Triple
Crown matches in the nineties and the
great rivalry between Misawa and Kawada
then you definitely need to watch this
match to see where that style came from.
Frank