I thought it would be interesting if people checked in with their criteria/process/method here at the start of the cycle. This could be what they're looking for, how they're judging/rating wrestlers, how they're planning on going about things, etc.
I'm going to focus a bit more on process/method/purpose here, though criteria is absolutely tied in. It's just a little harder to pin down for reasons you'll hopefully see, and this will already be a lot to cover. Also note that I say at the start of the cycle as this is a journey for all of us and we'll be honing things as we go over the next five years. Finally, while I'd encourage people to interact with one another, be curious and interested, point out holes constructively, etc., I don't think this is the right place for heavy combativeness. Our starting point here has to be that everyone is operating in good faith.
So that brings us to where I am now:
In judging/ranking a wrestler, I am focused primarily on two things: the wrestler's philosophy/understanding/mastery of the craft/art/performance/occupation/sport of pro wrestling and how well they accomplish/execute/manifest/deliver upon it. In order to judge that, I need to utilize footage to understand the wrestler as much as possible. This means I want to examine a wrestler throughout their career, in all sorts of situations, against all sorts of opponents. The more scenarios I have, the better I can see how a wrestler acts and reacts, and the better I can synergize what I see. Having multiple instances of the same situation is also useful because it reinforces what I'm seeing and allows me to look for slight variations.
So yes, I want to see a wrestler in a great match, but I also want to see them in a squash match. I want to see them in their prime, but I also want to see them dealing with a physical limitation to see how they react and respond and adapt. I want to see them in their home territory, but I also want to see them in front of an unfamiliar crowd. I want to see them in singles, in tags, in gimmick matches, in short TV matches. I want to see them open a show and end a show. I want to see them as a face and a heel, against similar opponents and wildly different ones, against the same opponent multiple times if possible. Ideally I'll see everything there is to see, but as that's not possible, I'll be looking to cover as many situations as I can, and as many as i need to feel confident in what I'm doing. I'm trying to reach a Holistic Situational Understanding of a wrestler (which sounds better than Situational Holistic Understanding, even if that has a better, lucha-based acronym).
Flaws/concerns/comments:
Obviously, this is an arrogant approach to a degree. There are things we aren't going to know with most wrestlers, but it's all ultimately based on footage. Where I supplement with other knowledge, I still have to connect that to the footage. Maybe I'd be reading too much into things in that moment, but for my list, it's going to be consistent across all wrestlers. I'm taking everyone equally and trying to achieve the best understanding possible based on what can be seen in the footage. As for the arrogance of it, the idea that I can reach any understanding on any wrestler, first, that pushes me and drives me to do my best and to really think things through and do my home work. The journey matters more as we so often say. Second, my list will sometimes have someone ranked lower if I feel like I can't understand them as well due to lack of footage. They'll still be represented but that's an element. I don't necessarily need to understand every point of their career, but if I feel like I'm missing data points that I might have if footage existed, there might be a lower ceiling for them. They may be somewhat handicapped based on my limitations.
This is not a "peak" approach or a "longevity" approach. Longevity gives me more data points to work off of. I'm not looking for who was the greatest wrestler for a short period of time. I'm looking who was the greatest wrestler ever based on the above approach and method. Likely, people who were brilliant for a short period of time because they were able to channel their physical gifts in their physical prime but were then not able to adapt will do worse on my list than those that were able to adapt, but that is, I think, consistent with the above.
Along similar lines, some might say it undervalues execution. I'd argue otherwise as I'm focused on whether or not the wrestler could achieve their ends as much as I'm focused on the perceived value of those ends. It balances the two instead of focusing primarily on execution (or workrate or anything else). Both thought and action are represented.
Great matches are important, but that's heavily based on opportunity and just one part of the equation. Overall greatness should happen across multiple situations, ALL situations if possible, even if constrained and contained. They're important but no more important than being effective in a TV studio or in front of a live crowd in an unfilmed setting relative to what they were tasked to achieve in that setting. Not every wrestler had the same career, so everything is taken into account. I'll have more data points in more situations for wrestlers who had more opportunities and that's going to allow me a more complete understanding. At the end of the day, we're not looking at What Ifs? but at the footage. I will say that "ability to perform well in big matches" is no more or less important than "ability to perform well in small matches" to me, so the idea of "one of the best big match workers ever" isn't going to automatically be more important than "one of the best ten minute tv workers ever." In some ways, the level of difficulty is higher with the latter.
So that brings me to the elephant in the room on this (past the arrogance, so much arrogance): once I feel like I do understand two wrestlers as noted above, how do I rate one against the other? What's the actual criteria here? And that I'm still working on. It's not as simple as me agreeing with their philosophy/understanding/mastery of the craft/art/performance/occupation/sport of pro wrestling but it does align with what I think is the best/greatest of that. And that's something that can be developed and expanded upon over the next five years, which is why this post is more about process/method/mindset/goals than actual criteria.
So, what do you got?